In this Nikon D810 vs D800 / D800E comparison, we will go over differences in specifications between these cameras and talk about what has been added, changed and improved. The Nikon D800 and D800E have been very popular camera models among enthusiasts and professionals for several years now. With world’s first 36.3 MP full-frame sensor, very high dynamic range, pro-level autofocus, magnesium alloy construction and weather sealing, the cameras have converted quite a few Canon and even Medium Format shooters. What does the D810 bring to the table? Let’s take a closer look at the specifications.  First, let’s go over the key specifications: Nikon D810 vs D800 / D800E Specification ComparisonCamera FeatureNikon D810Nikon D800 / D800ESensor Resolution36.3 Million36.3 MillionSensor TypeCMOSCMOSSensor Size35.9x24mm35.9x24mmSensor Pixel Size4.88µ4.88µLow Pass FilterNoYes / NoSensor Dust ReductionYesYesImage Size7,360 x 4,9127,360 x 4,912Base ISOISO 64ISO 100Native ISO SensitivityISO 64-12,800ISO 100-6,400Boosted ISO SensitivityDown to ISO 32, up to ISO 51,200Down to ISO 50, up to ISO 25,600Image ProcessorEXPEED 4EXPEED 3sRAW File SupportYesNoViewfinder TypePentaprism with improved coatingsPentaprismViewfinder Coverage and Size100%, 0.70x100%, 0.70xBuilt-in FlashYes, with flash commander modeYes, with flash commander modeFlash Sync Speed1/2501/250Storage Media1x CF, 1x SD1x CF, 1x SDContinuous Shooting Speed5 FPS, 6 FPS in DX mode, 7 FPS with MB-D12 battery grip4 FPS, 6 FPS in DX mode with MB-D12 battery gripMax Shutter Speed1/8000 to 30 sec1/8000 to 30 secShutter Durability200,000 cycles200,000 cyclesElectronic Front-curtain ShutterYesNoExposure Metering Sensor91,000-pixel RGB sensor 3D Color Matrix Metering III91,000-pixel RGB sensor 3D Color Matrix Metering IIIHighlight Weighted MeteringYesNoFull aperture metering during Live View for stillsYesNoFace-detection AnalysisOn/OffAlways OnSpot White Balance in Live ViewYesNoPreset White Balance1-6 possible1-3 possibleAutofocus SystemAdvanced Multi-CAM 3500FX with Group Area AFAdvanced Multi-CAM 3500FXFocus Points51, 15 cross-type51, 15 cross-typeAF DetectionUp to f/8Up to f/8Video OutputMOV, Compressed and UncompressedMOV, Compressed and UncompressedVideo Maximum Resolution1920×1080 (1080p) @ 24p, 30p, 60p1920×1080 (1080p) @ 24p, 30pMemory Card + External Recorder Simultaneous RecordingYesNoSelectable Audio Frequency RangeYesNoHighlight Display (Zebra Stripes) in Live ViewYesNoInterval Timer Exposure SmoothingYesNoTimelapse Exposure SmoothingYesNoNumber of Images in Timelapse / Int Timer9,999999Power Aperture Control using Internal Memory CardsYesNoAudio RecordingBuilt-in stereo microphone External stereo microphone (optional)Built-in mono microphone External stereo microphone (optional)LCD Size3.2″ diagonal TFT-LCD3.2″ diagonal TFT-LCDLCD Resolution1,229,000 dots921,000 dotsOne Button Zoom Image PreviewYesNoHDR SupportYesYesPicture ControlStandard, Neutral, Vivid, Monochrome, Portrait, Landscape, FlatStandard, Neutral, Vivid, Monochrome, Portrait, LandscapeUnlimited Continuous ShootingYesNoRedesigned Sequencer / Balancer MechanismYes, Operates in Quiet or Quiet Continuous ModeNoExposure Bracketing2 to 9 frames2 to 9 framesBuilt-in GPSNoNoWi-Fi FunctionalityEye-Fi Compatible, WT-4aEye-Fi Compatible, WT-4aBatteryEN-EL15 Lithium-ion BatteryEN-EL15 Lithium-ion BatteryBattery Life1200 shots (CIPA)900 shots (CIPA)Battery ChargerMH-25 Quick ChargerMH-25 Quick ChargerWeather Sealed BodyYesYesBuildFull Magnesium AlloyFull Magnesium AlloyUSB Version3.03.0Weight (Body Only)880g900gDimensions146 x 123 x 81.5mm144.78 × 121.92 × 81.28mmMSRP Price$3,299$2,999 / $3,299 At first glance, there is quite a bit of similarity between these cameras. However, quite a bit has been changed in specifications starting from the camera sensor. While the resolution stayed the same at 36.3 MP, the sensors are actually not the same – the D810 sports a new sensor with different sensitivity levels, pushing ISO one stop further at both sides of the range. Its base ISO is 64 vs 100 and the maximum native ISO is 12,800 vs 6,400 on the D800 / D800E. Judging by these numbers, the new D810 sensor should not only produce greater dynamic range, but it also should be up to a stop cleaner at high ISO levels. Another important fact, is that the D810 now consolidates the D800 and the D800E into a single camera, eliminating the optical low-pass filter / anti-aliasing filter in front of the sensor completely. Thanks to the newer EXPEED 4 processor, the camera gains 1 FPS improvement in speed, jumping to 5 FPS continuous shooting in full resolution, 6 FPS in DX / 1.2x crop modes and 7 FPS with the MB-D12 battery grip. In comparison, the D800 / D800E shoot at 4 FPS in full resolution and require the MB-D12 battery grip to get to 6 FPS. The faster processor also improves autofocus performance, which gains the same “Group Area AF” feature from the top-of-the-line Nikon D4s. As you will see in our upcoming Nikon D4s review, the autofocus performance of the D4s is noticeably faster than the D4, so expect to see similar improvements on the D810. The D810 gains an improved LCD screen with 1,229K dots compared to 921K dots on the D800 / D800E and the optical viewfinder has gotten better and brighter thanks to improved coatings. The D810 went through several ergonomic changes, with improved grip, new buttons and other slight changes on the back of the camera. Battery life has been improved dramatically, with the D810 capable of shooting up to 1200 shots on a single charge (versus 900 on the D800 / D800E). One of the biggest highlights of the D810 is the new and improved shutter mechanism that allows Electronic Front-curtain mode in Live View. Basically, the camera simply starts recording the exposure without moving the shutter and only closes the shutter at the end of the exposure sequence, which completely eliminates shutter vibrations. This is a great feature for those of us that shoot in low light, especially with heavy supertelephoto lenses that tend to increase camera shake at long focal lengths. For me, this is a must-have feature when testing lenses in my lab, since I do not have to worry about shutter vibrations at all. The new shutter mechanism is also supposedly much quieter in operation and there is now a “Quiet Continous” mode. Hopefully Nikon fixed the bad Live View interpolation issue that is currently present on the D800 and D800E, because it makes it difficult to acquire critical focus. Another area that I am not 100% confident about is Wi-Fi compatibility – NikonUSA does not provide any information on this, so it is unclear whether the D810 requires the WT-4a, or if it would work with the much smaller WU-1a unit. Timelapse photographers will love the D810, because it can now shoot 9,999 frames instead of 999 and there are plenty of other great options available such as exposure smoothing to improve the quality of timelapse sequences. And movie shooters will probably be happy to see drastic changes in movie recording capabilities of the D810. Nikon introduced a new “Auto ISO” feature in Manual Mode for video shooting, which should make it easy to keep the shutter speed and aperture the same, while letting the camera adjust brightness levels depending on the scene. Full HD recording has been increased to 60 fps and the D810 now comes with a slew of options for movie makers. In fact, Nikon is pushing the D810 heavily for videography needs, thanks to the many video recording options and simultaneous recording of footage to memory cards and external devices. Nikon now even bundles a special “film maker kit”, which includes the Atomos Ninja 2 external video recorder. Sadly, there is no 4K support, which is quickly becoming the standard in videography. The last feature I want to talk about is sRAW file support on the D810. Although this feature is not that useful on the D4s (because it creates tiny 4 MP images), sRAW on the D810 will be more useful. With a resolution of 3680×2456 pixels, which is roughly equivalent to 9 megapixels, the D810 will be able to yield clean RAW images even at very high ISO levels. How does this work? Basically, the camera down-samples / reduces the 36 MP image down to 9 MP and shares color information between adjacent pixels, as described in this awesome article by our dear friend Iliah Borg of RawDigger (see his previous articles here at Photography Life). There is some obvious loss of colors and dynamic range (recorded data is 11-bit), but if you are shooting in the dark and just want a cleaner image, sRAW might be a good option. In short, sRAW is in-camera resizing / downsampling of 36 MP images to 9 MP, while keeping the file format in RAW for flexibility. Although Iliah thinks that the sRAW format is similar to JPEG in terms of information loss and not as practical, I would be curious to see his analysis for the D810… |
